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Krzysztof Barcik
My World, My Dreams, My Music

 
BAND:



Krzysztof Barcik - electric, acoustic and classical guitars, guitar synth, 12-string electric guitar, keyboards,percussions, drums and synth programming, recording and mixing (1-16)
Zbigniew Jakubek - Grand Piano (6, 8, 15), keyboards (2, 8, 12)
Wiesiek Wysocki - saxophones (2, 8, 10, 12)
Wojtek Mrozek - clarinet (3, 7)
Darek Ziółek - bass guitar(2, 8, 12)
Mariusz Mocarski - drums (2, 8, 16)
Pawel Twardoch - drums (3, 5, 7, 12, 15), darabuka (7)
Aneta Barcik - vocal part on "My Dreams" (16)

 Wilderness
2:55
2   Alien Planet 4'34
 Flee To The East
4:28
 Twilight State
3:42
 Sound Of Miami
1:42
 Reflection
3:25
 Royal Palace
4:53
 Ambitious
5:07
 Limited Time
5:34
 10
 A House In Clouds
5:13
 11
 African Summer
4:20
 12
 Sin City
5:15
13   Savage Success 4'10
 14
 Spaceship
4:36
 15
 State Of Emergency
4:54
 16
 My Dreams
5:39
 

 
 

Download and listen to Track

"A House In Clouds" (mp3)
Conversession


 


 

Wojciech Staroniewicz

Alternations

 
BAND:


Wojciech Staroniewicz - tenor and soprano saxophones
Sławek Jaskułke - piano
Leszek Możdzer - piano
Michał Barański - bass
Hubert Zemler - drums

 A Little Closer
7:36
 A Catalan
5:37
 Next Door
6:56
 Conversession
5:13
 Major Alterations
7:08
 Dual
3:11
 7
 Karolina
5:53
 8
 Dogs On Tour
9:14
 9
 Sunny Sony
5:46

Download and listen to Track "Dual" (mp3)
Conversession
and "Sunny Sony "
Conversession
 
   

     "Organised trance, unlimited musical space in a small club room, free improvisation subjected to strict rules which is the path many jazz musicians follow nowadays. To run away from it or to go along with it? This is the question most definitely asked by any leader who starts playing with a new band, who starts playing new material, which - if it passes the acid test - can be materialised on a new record.
     "The new Wojciech Staroniewicz's quartet is an attempt to combine these opposites, an attempt to organise them with young musicians whose play represents a clash between firmness and gentleness, order and chaos, energy and calm, not necessarily in separation from each other.
     "There is definitely more space in this music than there was in Staroniewicz's previous project. The pieces are not so precisely organised, parts played by individual musicians do not mesh so closely as before. There is a breath, a moment to look beyond the hermetic world of music, even if we think we sit tightly enclosed in it.

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This project has been subsidised by a grant from the Pomerania Voivodeship Marshal


 

Irek Wojtczak

Outlook

 
BAND:

Irek Wojtczak - saxophones, flute
Piotr Mania- piano
Patryk Stachura - bass
Kuba Staruszkiewicz - drums

Outlook
 Walking
8:09
 Supersonic
9:16
 55-54
6:30
 Jungle in the Cathedral
10:28
 For Leon
8:09
 Vamp
5:51
 

Download and listen to Track 1 (Walking) here (mp3)
mp3

 
 

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Adam Czerwniński & Darek Oleszkiewicz

Raindance

 
BAND:

Larry Goldings - hammond Organ B3, melodica
Larry Koonse - guitar
Darek 'Oles' Oleszkiewicz - acoustic bass
Adam Czerwiński - drums
Nolan Shaheed - cornet (in Awakening)


Raindance
 How Deep Is The Ocean
5:53
 Raindance
6:51
 Double Larry
6:40
 Inspiration
6:09
 J&J
7:38
 Paradise
6:56
 Bewitched
6:17
 Blues For Adam
6:45
 Awakening
6:48
10 
 Ca-Lips-O
6:05
 

Download and listen to Track 4 (Inspiration) here (mp3)
mp3

 
   
   

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Janusz Mackiewicz Quartet

W Dzień Bożego Narodzenia - Kolędy jazzowe

 
BAND:

Janusz "Macek" Mackiewicz - bass
Darek Herbasz - saxophones
Dominik Bukowski - vibraphone
Adam Czerwiński - drums


 Anioł Pasterzom mówił
5:44
 Jezus Malusieńki
5:34
 Mędrcy Świata
6:19
 Gwiazdo Betlejemska
4:17
 Wśród Nocnej Ciszy
3:24
 Narodził się Jezus
4:32
 Z Narodzenia Pana
4:56
 W dzień Bożego Narodzenia
5:29
 Cicha Noc
4:38
  Download and listen to "Narodził się Jezus " (mp3)
Conversession
 
   
   

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Staroniewicz / Melvin / Lemańczyk

Conversession - Live

 
BAND:

Wojciech Staroniewicz - tenor and soprano saxophones
Piotr Lemańczyk - acoustic bass
Brian Melvin (USA) - drums, tablas and kanjira

1
  PFM  
05'36
2
  Blues Connotation
06'36
3
  Wintertime
04'00
4
  Conversession
07'25
5
  Drumstrikin
03'33
6
  Jana Gana Mana          
07'09
7
  Karolina
07'59
8
  Triste
06'05
Download and listen to Track 4 (Conversession) here (mp3)
coversession

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Krzysztof Herdzin Trio

Live in Tygmont

 
BAND:

Krzysztof Herdzin - piano
Zbigniew Wegehaupt - acoustic bass
Cezary Konrad - drums

herdzin
1
   On Green Dolphin Street  
16'40
2
  Pypeć Blues
10'59
3
  For Antonio
10'37
4
  Voyage
8'58
5
  Adela
3'09
6
  Pięciak
10'03
 
 

Download and listen to the part of Track 6 (Pięciak) here (mp3)

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     "I would like to present you with my latest album - yet another testament of my artistic endeavours. Years ago, at the beginning of what I wished to be a very long and fruitful career as a pianist, I have set a serious aim for myself. Every album that was to be signified by my own name was to spring out of a different style, was to draw from different jazz idioms and yet remain truly "mine" - determined by my sensitivity, imagination and, as Mr Robert Buczek has recently said, "..relayed in the language of Herdzin..". 11 years have passed since I have released my first album and I believe I can truly congratulate myself on being loyal to that principle.

     I have always been extremely lucky in securing the talent of excellent musicians while recording my albums. Their virtuosity and musicality have greatly influenced my playing and have inspired me immensely. I have based the pure hard bop sound of Chopin on the erudition of Maciek Sikała and Piotr Wojtasik, as well as the stylistic faithfulness of Jacek Niedziela and Marcin Jahr. My own compositions on the quintet based album Being Confused were brought to life by Zbyszek Namysłowski and Grzegorz Nagórski. On Seriale, Seriale I have managed to obtain a very lyrical, "Slavic" musical effect while attempting to render the sound of the Bill Evans Trio with strings. This was only possible through the lyrical and incredibly flexible imagination of Piotr Biskupski and Mariusz Bogdanowicz. Almost After was an attempt to recreate the ECM sound. The creative talents of Adam Cegielski and Czarek Konrad were essential here. Finally, while recording the electric fusion album Dancing Flowers I was overjoyed to be able to perform alongside such greats as Michał Kulenty, Michał Dąbrówka, Marek Napiórkowski, Filip Sojka and Marek Podkowa.

     A while ago, to my great satisfaction and joy, I have finally managed to find my "dream team". Zbigniew Wegehaupt and Cezary Konrad have proved to be the missing pieces of the trio I have always strived for. We have been playing together for three years now, providing each other with happiness and satisfaction, whilst allowing ourselves to "re-charge our batteries", There is an unspoken understanding between us, an intuitive impulse that allows us to develop music in a direction that is surprising and pleasing to both the audience, and the three of us, without any prior rehearsals or agreements. The ability to listen to one another, virtuosity, humor, proficiency in many styles and techniques (which is partly derived from the classical training we have all undergone), as well as a slight touch of madness are just some characteristics of my colleagues. This in my opinion makes each of our concerts an unforgettable event."

Krzysztof Herdzin

www.herdzin.com.pl


Dominik Bukowski
& Projektor

 
BAND:

Dominik Bukowski - vibraphone
Wojciech Staroniewicz - tenor saxophone
Łukasz Poprawski - alto saxophone
Piotr Lemańczyk - acoustic bass
Hubert Zemler - drums
Paweł Grabowski - sampler, live electronics

 




1
  Psyche
6'22
2
  Tango Olivio
6'18
3
  Mantra
5'25
4
  Otwarte
6'04
5
  Asertywność 11
4'49
6
  Trzy kolory: zielony
5'04
7
  Chill Out Zone
4'48
8
  Konkluzja
8'09
9
  Taxi Story
4'13
Bonus film: "Taxi Story"
 

Download and listen to Track 7 (Chill Out Zone) here (mp3)
coversession

 
   
   

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www.jazzprojektor.net


 

Loud Jazz Band

"The Way to Salina"
 
BAND:

Mirosław "Carlos" Kaczmarczyk - guitars
Erik Johannessen - trombone, didgeridoo
Wojtek Staroniewicz - tenor & soprano saxophones
Helge Lien - piano
Kristian Edvardsen - accoustic & electric bass,
Oyvind Myhre - drums
Maciej Ostromecki - percussion
Piotr Iwicki - castanets, sounds, sythesizers
Erlend Skanke - fretless bass

 




1
  Ensomhet
7'56
2
  The Way to Salina
7'08
3
  Song for A...
8'42
4
  Lengsel
5'46
5
  Dirty ear
6'19
6
  The roots, hearts and feelings
6'34
7
  Better times
7'15
8
  Jalla
6'09
9
  D.O.S
6'52
 

Download and listen to Track 4 (Lengsel) here (mp3)
coversession

 
   
   

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www.loudjazzband.com


 

jmTrio

"Interludium"
 
THE BAND:

Joachim Mencel - piano, leader
Shanir Ezra Blumenkranz - accoustic bass(1-5, 8-10)
Kevin Zubek - drums (1-5, 8-10)
Krzysztof Pacan - accoustic bass (6,7)
Arek Skolik - drums (6,7)




1
  Mystic Call
08'22
2
  Interludium I
05'43
3
  Overstep - for Beata
06'29
4   Late Junction
07'40
5
  Interludium II
05'02
6
  That Mountain - for David Friedman
04'19
7
  Ezechiel
06'50
8
  Smatter
06'57
9
  That Moutain - reprise
02'04
10
  Interludium III
06'54

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Loud Jazz Band

"Don't stop the train"
 
THE BAND:

Mirosław "Carlos" Kaczmarczyk - guitars
Eric Johannessen - trombone
Wojtek Staroniewicz - tenor & soprano saxophones
Helge Lien - piano
Kristian Edvardsen - bass
Oyvind Myhre - drums
Maciej Ostromecki - percussions

 

1
  Don't stop the train
8'24
2
  Forgotten case
6'30
3
  Looking through a magnifiyng   glass
10'41
4
  Ballade for You
5'42
5
  The mirror in the lift
9'19
6
  Mission possible
6'43
7
  The birds of China
6'46
Download and listen to Track 1 (Don't stop the Train) here (mp3)
coversession
   

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Piotr Lemańczyk

"Follow the Soul"
 
THE BAND:

Janusz Muniak - tenor saxophone
Przemek Dyakowski - tenor saxophone
Wojciech Staroniewicz - tenor saxophone
Maciej Sikała - tenor saxophone
Dariusz Herbasz - tenor saxophone
Maciej Grzywacz - guitar
Dominik Bukowski - vibraphone
Piotr Lemańczyk - acoustic bass
Tomasz Sowiński - drums

 

1
  Virga
6'06
2
  Shy king of the village
7'15
3
  Take 74
6'28
4
  You don't know what love is
10'14
5
  White lake
7'09
6
  My little M.
7'24
7
  Blues for Aga
6'03
Download and listen to Track 1 (Virga) here (mp3)
coversession
   

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       "In his decision to go for the double bass, Lemańczyk followed the voice of his soul. You can hear it in each and every note of "Follow the Soul". His performance is characterised by a strong and resolute attack on the string, a deep and full tone, precision of articulation, melodic invention [...]. There is something more, however, that Lemańczyk can do - both as a musician and a composer - he can stigmatise the music with his personality, create an atmosphere and sound, which makes you want to listen to the piece once again."

Krzysztof Kuczkowski - "Gitara i bas" 5/2003 (65)

      "Despite the fact that it is the bassist that is the author of the album, he remains in the background, limiting his activity to playing the role of the band's backbone. His double bass has a wonderfully succulent sound, resolutely punctuates whatever their colleagues are doing, ensuring that all the blank spaces are filled. Lemańczyk's fascination with the acoustic instrument started a relatively short time ago. Before that his soul had been sold to the bass guitar, which adds even more to the admiration at what he has achieved so far."

Jarosław Kurek - "Kuryer Sopocki" 11 July 2003


 

Sławek Jaskułke

"Sławek Jaskułke Trio"
 
THE BAND:
Sławomir Jaskułke - piano
Piotr Lemańczyk - bass
Tomasz Sowiński - drums
Maciej Sikała - tenor sax
 
The record is a registration of an excellent concert that took place at the Gdynia Summer Jazz Days 2001. It is also a debut of Sławek Jaskułke as the band leader and the author of the music project. Maciej Sikała, the guest of the concert, gives Sławek his ample support in two pieces. A portion of very interesting, dynamic play, open to the unpredictable, supported with the musicians' performative freedom and the leader's youthful enthusiasm.
 
1.   Reality known - S. Jaskułke 10'19
2.   In my opinion - S. Jaskułke 8'01
3.   Autumn gifts - M. Sikała 10'49
4.   Platino - M. Sikała 8'45
5.   Nevergreen - S. Jaskułke 15'15
   

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Concert booking: s.jaskulke@wp.pl

 
"...This young, talented artist undoubtedly brings a gust of his own originality in the Polish pianism. It's been a long time since someone was so consequent in overthrowing the existing pianistic, constructive patterns and sonoristic standards while still employing, let's face it, the quite traditional means: dense accordics, speeding motorics at times bordering on untamed sound aggression on the one hand and the noticeable dose of lyricism on the other.
 
Andrzej Winiszewski - Jazz Forum nr 1-2/2002
 
"...After the departure of Krzysztof Herdzin, his place at the piano in the Zbigniew Namysłowski Quartet was taken over by Sławomir Jaskułke, who has accompanied the leader in his foreign travels for many months. This is how Zbyszek himself describes how this change has affected the band's sound: "The arrival of Sławek has transformed the band's profile into a much modern one, just as it is always the case that youth brings in a fresh breeze and new elements. Our music has now much more freedom of harmony, more freedom in opening the form, there are no hard and fast rules for sticking to the arrangement. As well as playing quite a lot of new stuff, we still play some of my older compositions, though we play them now in a completely different way. Our repertoire is rather ample. Each of the musicians has a thick book containing about 80 pieces. The themes we pick depend on out mood, the audience and the circumstances of the concert."
 
Jazz Forum Nr 4-5/2002
 
"...The second part was kicked off by a performance of Sławomir Jaskułke, a pianist from Gdańsk. Since his performance at Gdynia Summer Jazz Days earlier this year, he has been my black horse of Polish jazz pianism. His trio is further made up of Piotr Lemańczyk - b and Tomasz Sowiński - dr, ergo Maciej Sikała section. Jaskułke rules and divides there, constructs improvisations in an interesting manner and also shows off his own, very skilful compositions. Definitely the strongest point of the festival!..."
 
Przemek Psikuta - Jazz Forum Nr 10-11/2001
 
"...Everyone is already talking about the pianist Sławomir Jaskułke. His performance was one of the brightest items during the tour concert at the Witkacy Theatre in Zakopane. Together with Andrzej Cudzich (b) and Jacek Kochan (dr) they carried out a fascinating deconstruction of the 'Softly' theme, bravely going beyond the well established ways of playing standards..."
 
Paweł Brodowski - Jazz Forum Nr 10-11/2001

 


Wojciech Staroniewicz

"Karambola"
 
THE BAND:
Wojciech Staroniewicz - tenor and soprano saxophones
Robert Majewski - trumpet, flugelhorn
Grzegorz Nagórski - trombone
Cezary Paciorek - piano
Olgierd Walicki - bass
Cezary Konrad - drums
Nippy Noya - congas and miscellaneous percussions
 
The premiere concert at the Sopot Molo Jazz Festival received vivid reception of the public, which was subsequently reflected in enthusiastic reviews:
 
1.   Karambola 6'52
2.   Melo d'Amelie 5'38
3.   Pros & Cons 7'45
4.   How Insensitive 4'28
5.   When You're Sleeping 6'19
6.   Summertime 7'20
7.   Up Train 9'58
 

Download and listen to Track 2 (Melo d'Amelie) here (mp3)
coversession

 
   
   
   

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"Trying to describe this extraordinary musical event I am left with no option but to capitulate. I was literally staring with my mouth open and listening, absorbing, absorbing the music and drowning in delight. Oh, man! If this carambolic concert is ever to be repeated, do take the risk and spend your last ten zloty (or even more, if jazz is to be subject to inflation) to see it, simply because it is worth it."
 
Stanisław Danielewicz "Jazzi Magazine" 28/1998
 
"Already the first piece amazed me with the diabolic rhythmic divisions, executed with freedom full of disinvolture. The next thing that followed was, like in Hitchcock, only crescendo..."
 
Roman Kowal "Jazz Forum" 9/1998
 
"Music played by Staroniewicz represents the healthy contemporary jazz, firmly anchored partly in Coltrane and partly in the finest traditions of The Messengers, without a doubt belonging to the Tricity school, which school for years now has been arousing admiration and awe among the members of our society. It is the same school which is associated most of all with Leszek Możdżer's sextet, a school which has grown substantially to place into its orbit many musicians originating from other parts of the world. This school should not however be viewed as just another schism, but as one being founded on universal jazz values. The only thing it rejects a priori is any kind of routine..".
 
Jan Ptaszyn Wróblewski.
 

Jazz Forum readers have regarded this concert as one of the greatest jazz events of the year 1998.

The audience applauded over "Karambola" during Gdynia Summer Jazz Days '99. That night also featured Kenny Garret, Chick Corea and Gary Burton. The concert "Karambola" opened the Jazz Jamboree '99 festival.

Some excellent musicians participate in the "Karambola" project. Wojtek has been working with them for several years now. They are: Cezary Paciorek - piano, Olgierd Walicki - double bass,
Cezary Konrad - drums. Wojtek has also invited some special guests to participate in the project, namely Robert Majewski - trumpet and Grzegorz Nagórski - trombone. But that's not all. The drums are played by Nippy Noya, an Indonesian musician who has played together with Stan Getz, John McLaughlin and Astrud Gilberto.


 

Wojciech Staroniewicz

"Hand-made"
 
THE BAND:

Wojciech Staroniewicz - saxophones
Cezary Paciorek - accordion
Maciej Grzywacz - guitar
Piotr Lemańczyk - bass
Tomasz Sowiński - drums

The latest music project of Wojtek Staroniewicz. This time Wojtek has invited exclusively Tricity musicians. "This is very important because thanks to the frequent meetings we can really get some realy creative work done in the rehearsals achieving our own, characteristic sound. Besides, we are really good friends and we truly enjoy playing together. And you can hear all this in the music," says Wojtek. The band plays acoustic jazz performed with a set of instruments untypical of this genre. The combination of the sax, accordion and guitar is quite surprising yet interesting. The repertoire is made up of their own pieces although a large number of standards is present as well as spontaneous improvisation. The music is based on the contemporary grooves even though they play without samples and a DJ.

1
  Hand-made
7'58
2
  Next Door
8'35
3
  Among the monks
5'45
4
  Favela
5'51
5
  On the right lines
7'20
6
  Mysterious
5'05
7
  Screwdriver dance
7'04
8
  Hocus Pocus
8'22
9
  Alice in my land
5'39
10
  Haunted ballroom
4'26
 

Download and listen to Track 2 (Next Door) here (mp3)
coversession

 
   
   
   

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"What we have here is a completely modern masterpiece rather than a recording that could have been done 10-20 years ago, which is the norm in the Polish jazz, but has been done now due to the pure delay of our community with respect to New York or London."

Tomasz Rozwadowski - Dziennik Bałtycki

"- meanwhile Staroniewicz together with Paciorek, Grzywacz, Lemańczyk and Sowiński has made an exquisite record. Unquestionably the best record in his career, full of ideas, energy, mood alterations; one that derives inspiration from both tradition and the present day of jazz."

Jarosław Kurek - Kuryer Sopocki

"His quintet plays music which is a mixture of technical proficiency straight from the 1980s and the singing of Komeda supported by the sound of the accordion. The result is rather interesting especially since the compositions further emphasise the capacities of the individual musicians. The saxophone played by Staroniewicz gives off his own characteristic tone associated with the 1960s, which corresponds in an interesting manner with the selected stylistics."

Grzegorz Mucha - Diapazon

"...The compositions in themselves determine the mood of the album and the impressions perceived. They sound very modern as well as being quite nice to listen to. They are not 'oversophisticated'. These positive impressions are further enhanced by very interesting arrangements and original sound achieved by the band."
"...Wojciech Staroniwicz's performance of both the themes and the solo parts gives an impression of high maturity. You will not find 'fireworks' and self-intoxication with his own technique. What you will find here, however, is a masterly building up of the mood and a perfect phrasing. This is a very gallant, intellectual performance."

Michał Walczuk - Informator Kulturalny Stolicy

"One must admit that the band has many assets, one of them being the very band leader's class, who freely moves around the various areas of jazz. While approaching the jazz standards with commitment and temperament, he manages to bring out all the shades and nuances contained in such pieces of his own authorship as "The Screwdriver Dance" or "Next Door".

Monika Malessa-Drohomirecka - Kuryer Sopocki

"Yet another album with pieces written and performed by Wojciech Staroniewicz, with the first one being "Karambola", and another fascinating jazz set. Right from the beginning to the end, a collection of intriguing compositions and well-thought-out arrangements with a tinge of the musical madness outstandingly performed."

Krzysztof Kuczkowski - Gitara i Bas + Bębny, 1/2003

- a clear, distinct and surprising acoustic jazz and a rather untypical set of instruments. Most of the music were their own compositions, though there were also standards and quite a lot of improvisation. This seems to be the strongest asset of Hand-made."

Głos Wybrzeża

 

 

 
© 2001 "Allegro Records" - Wojtek Staroniewicz Powered by MillionZillion Software